PRESS
"the future of the art form is in good hands... Curving thighs and wriggling fingers became sensual terrains both alien and familiar; it was play in the best sense, equal parts exploration and contemplation."
-Claudia La Rocco, January 2009, The New York Times
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"moments of theatrical magic"
- Claudia La Rocco, October 2008, The New York Times
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"She kept the performers, and audience, engaged in an examination of collapsing bodies and crumbling limbs for what moved beyond interminable into something bordering on ecstatic.”
- Maura Donohue, March 2007, The Dance Insider
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“The refined music, impeccable lighting, and a gloomily suggestive set — devised by the choreographer with Jeff Larson and the lighting designer — give the whole a certain gloss. The space is used thoughtfully, and the production values are excellent.”
- Nancy Dalva, March 2007, danceviewtimes
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“...a crackling and fuzz that swelled into an apocalyptic explosion of enduring proportions, to the extent that I was genuinely in some palpable state of fear, in suspension of my own disbelief. When it finally was over, I knew I had gotten my money's worth; nothing I've experienced recently has brought me so far into its space.”
- Matthew Steckler, March 2007, NYU - ITP BlogBlender
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" I felt the give and take of force, the push and pull of intimacy, the need and refusal of space, the dominant and submissive, the prey and predator. Essentially, the dance communicated a series of aggressive opposites attracting and reacting... the shape and energy of a body creates psychology as much as it reflects it."
- Leslie Flanigan, March 2007, NYU - ITP BlogBlender
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"a smart bit of programming"
- Gia Kourlas, May, 2005, The New York Times
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